Random Waveform Oscillator

Tempo: Drums: Melody:
Automatically randomize each loop

ADDITIVE SYNTHESIS

Builds complex sounds by adding sine wave harmonics together. More harmonics = richer sound. Higher falloff = fewer high frequencies = warmer tone. Scale type affects which harmonics are boosted.

Mix (0-100%): Overall intensity of additive synthesis 50 Harmonics (4-64): Number of harmonic overtones 32 Falloff (0.5-4): High frequency rolloff rate 2.0 Scale (0-1): 0=chromatic, 1=pentatonic musical 0

FM SYNTHESIS

Uses frequency modulation to create complex sidebands. Carrier sets base frequency relationship. Modulator controls rate. Higher depth = more metallic, bell-like tones.

Mix (0-100%): Overall intensity of FM synthesis 50 Carrier (1-8): Base frequency multiplier 4 Modulator (1-8): Modulation frequency rate 4 Depth (0.5-3): Modulation intensity 1.5 Chain (0-2): Modulator-to-modulator feedback 0.0

HARMONIC SYNTHESIS

Creates musical timbres based on chord intervals. Chord type determines harmonic ratios. Spread controls relative volume of harmonics across octaves.

Mix (0-100%): Overall intensity of harmonic synthesis 50 Chord (0-3): 0=triad, 1=maj7, 2=sus4, 3=add9 0 Spread (0.5-3): Harmonic volume across octaves 1.5

NOISE SYNTHESIS

Mixes pure tonal components with noise-like textures. More tones = richer harmonic content. Higher noise amount = grittier, less pitched texture.

Mix (0-100%): Overall intensity of noise synthesis 50 Tones (1-10): Number of pure frequency components 4 Amount (10-90%): Balance between tonal and noisy 50

ADSR ENVELOPE

Controls volume envelope over time. Attack = fade in time, Decay = drop to sustain time, Sustain = held volume level, Release = fade out time after key release.

Attack (0.01-1s): Time to reach full volume 0.05 Decay (0.01-1s): Time to drop to sustain level 0.10 Sustain (0-1): Held volume level (0-100%) 0.60 Release (0.01-2s): Fade out time after key release 0.30

FILTER (POST-PROCESSING)

Applies after synthesis mixing. Allows frequencies Higher or Lower to pass through. Higher Q = narrower band. Mix controls wet/dry blend of filtered vs original signal.

Filter (None, LowPass, HighPass) 0=None, 1=LowPass, 2=HighPass 0 Frequency (50-2000): Center frequency of filter 800 Q Factor (0.5-20): Filter bandwidth (higher = narrower) 1.0

BIT CRUSHER (POST-PROCESSING)

Digital distortion effect that reduces bit depth and Frequency Reduction. Lower bits = more distortion. Higher Frequency Reduction = aliasing artifacts. Mix controls wet/dry blend.

Mix (0-100%): Wet/dry mix of bit crusher effect 0 Bit Depth (1-16): Number of bits (lower = more distortion) 8 Frequency Reduction (1-40): Frequency Reduction Ratio (higher = more aliasing) 22050